PR involves
pitching stories to the media although, inevitably, some stories are better
than others. However, much better to
make sensible use of the material you have, rather than turn it into cock and
bull.
It’s what 18th
and 19th century coach travellers did, so the story goes, when they
stopped at a town called Stony Stratford, north of London.
Travellers would
refresh themselves in one of the town’s two main coaching inns, The Cock or The
Bull, where fanciful tales and so-called news would become hopelessly
embellished. The two establishments
still exist.
The town’s website says that “the High Street still contains a wealth of coaching inns that thrived
in this period, including The Cock and The Bull; in these inns travellers vied
with each other in the telling of outrageous stories…”
The story may or
may not be true, but it’s an interesting angle on how – in the wrong hands – a
perfectly good story can, through spin and exaggeration, devalue both the
message and the messenger.
At the other end of
the scale is the story so subtly told that its significance is hidden. That’s best exemplified in our much-loved
nursery rhymes, written in a bygone age when any kind of careless gossip could
swiftly lead to the gallows. Back then, subtle
PR was a life-saver.
Take, for example,
this innocuous rhyme:
Mary
Mary quite contrary
How
does your garden grow?
With
silver bells and cockle shells
And
pretty maids all in a row.
It’s actually about
the 16th century Queen Mary of England whose brutal persecution of Protestants earned her the nickname of
“Bloody Mary.” The garden is the
cemeteries she filled with her victims; silver bells and cockleshells are slang
for torture implements, and the maiden was a form of guillotine.
Three blind mice, three blind mice,
See how they run. See how they
run.
They all ran after the farmer’s wife,
Who cut off their tails with a carving knife.
Did you ever see such a sight in your life?
As three blind mice.
This refers to
three Protestant bishops who were convicted of treason and burned at the stake
- but not before, reputedly, being blinded and dismembered.
Equally loved is
this:
Jack and Jill went up the hill
To fetch a pail of water.
Jack fell down
And broke his crown,
And Jill came tumbling after.
Jack and Jill are King Louis XVI and Queen Marie Antionette. They both lost their crowns
(and their heads) in the French revolution of 1793-94.
The derivation of
this rhyme is more widely known:
Ring-a-ring o’ roses
A pocket full of posies
A-tishoo! A-tishoo!
We all fall down.
In the USA, the
third line is often reproduced as Ashes! Ashes!
It’s actually about bubonic plague in the 17th century, with
one of the first symptoms being a rosy rash.
For protection, people would carry sweet-smelling herbs with them.
Humpty Dumpty sat on a wall.
Humpty Dumpty had a great fall.
All the king’s horses and all the king’s men
Couldn’t put Humpty together again.
No, it’s not about
a giant egg. It’s actually a large
cannon that was sited on a tower during the English
Civil War. The tower was hit by cannon fire, and the
tower and Humpty fell down.
Other rhymes are
more complex:
Old Mother Hubbard
Went to the cupboard
To give the poor dog a bone
When she came there
The cupboard was bare
And so the poor dog had none
These are the
lyrics that were published in 1805, although the rhyme is much older. One explanation is that it goes back to Henry VIII, with the King wanting a divorce from Catherine
of Aragon so he could marry Anne Boleyn. The “dog
and bone” refer to the divorce, the cupboard is the Catholic Church and
Cardinal Wolsey, the highest Papal representative, is Old Mother Hubbard.
One rhyme stands
out for being utterly salacious:
Georgie Porgie
Pudding and pie
Kissed the girls and made them cry
When the boys came out to play
Georgie Porgie ran away.
Goosey goosey gander,
Whither shall I wander?
Upstairs and downstairs
And in my lady's chamber.
There I met an old man
Who wouldn't say his prayers,
So I took him by his left leg
And threw him down the stairs.
Whither shall I wander?
Upstairs and downstairs
And in my lady's chamber.
There I met an old man
Who wouldn't say his prayers,
So I took him by his left leg
And threw him down the stairs.
The derivation of this is less clear,
but is probably anti-Catholic propaganda.
Catholic prayers were said in Latin; Protestant prayers in English. There again, "goose bumps" was 16th
slang for the symptoms of venereal disease – and being "bitten by a
Winchester goose" was slang for how you caught it. The “Winchester geese” in question were south
London prostitutes.
Lastly, this:
Ladybird,
ladybird, fly away home
Your
house is on fire
And
your children are gone.
The ladybird was regarded with affection
by farmers as it ate aphids, and it’s thought that this rhyme may be about
encouraging the bugs to fly off before the farmers burned stubble in their
fields. However, it may not be that
simple. Another possible derivation is
that the rhyme was a warning to Catholics who wouldn’t attend Protestant
services.
Nowadays, in an age of free speech, we
can write what we want and make the meaning clear. But we shouldn’t forget that the right of
free speech has been hard won and that, in past times, it could get you into all
sorts of trouble.
In PR terms, it was therefore better to
invent a nursery rhyme than a cock and bull story. Nowadays, neither end of the PR spectrum is
much good!
Charlie Laidlaw is
a director of David Gray PR and a partner in Laidlaw Westmacott. We are
specialists in national and international PR strategy and delivery. You can contact us at +44 (0) 1620 844736 or Charlie@davidgraypr.com or connect with us on LinkedIn, Facebook or online.
Interesting view on pr and how it can retain its credibility. On the other hand, very much needed insights on the nursery rhyms especially because we just used to learn them in school (still do) without a clue about their origin. Its a bit of ignorant teaching I think....which goes a long way into how english, communication and public relations are perceived as career opportunities in Kenya - not well embraced.
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